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Theses from 2020

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Lady Bits, Christina Calvano

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Conceptualizing the Unspeakable: A Conceptual Metaphor Theory Analysis of Sexual Assault Trauma in Creative Nonfiction, Ariana Ciamaricone

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Swansong: Selections from a Novel, Louis Daily

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Skin, Maria DiPaolo

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Aesthetics and Poetics of the Novel in Viet Thanh Nguyen's The Sympathizer and Adam Johnson's The Orphan Master's Son, Frederick Feldman

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Oh, Mr. Sandman, Connor Keane

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Famished Landscape: A Novel in Verse, Ellie Kibbe

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Mysterious Doctor Vulcan, Philip Monihan

Theses from 2019

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"Please Answer the Question": Resistance to Transformative Answers in U.S. Senate and House Hearings 2017-2018, Marissa Caldwell

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Pastoral Compost: Transformation of Source Material in As You Like It, Timothy Crozier

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If Someone Calls, I'm Not Home, Lauren Davish

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Writing and Transitional Learning for Correctional Officers: A Study of Workplace Writing Instruction, Angela Diehl

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Ashlanders, Rachel Ezrin

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Field Day Theatre Company and Translations: Moral Geography and Irish Identity, Lauren E. Farrell

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“To really speak to it ever is, untimely”: Indigenous Poetic Constellation for the Decolonization of Space-Time in Layli Long Soldier’s _Whereas_, Katelyn Lucas

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The Grandest Delusion, Exposed: Reimagining Slavery in Barbara Chase-Riboud’s Sally Hemings, Gayl Jones’ Corregidora and Octavia Butler’s Kindred, Ruth Myers

The Legacy of Magic, Aleksandr Sawitsky

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“Shining Lights, Even in Death”: What Metal Gear Can Teach Us About Morality, Ryan Wasser

Theses from 2018

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Eko's Garden, James Chase

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Challenges of First-Year Composition Students in Working with Primary and Other Demanding Sources in Research Papers: An Analysis of Issues and Solutions, Michelle Conklin

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The Art of Conjuring, Martin Hopson

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Slow Violence in Jennifer Haigh's Bakerton, Pennsylvania, Dale McCarthy