Date of Award

Summer 2024

Document Type

Thesis

Degree Name

Master of Music (MM)

Department

Music History and Literature

Committee Chairperson

Jordan Carmalt Stokes, PhD.

Committee Member

Ha-Young Heidi Lee, PhD.

Committee Member

Julian Onderdonk, PhD.

Abstract

This thesis explores the significant influence of George Rochberg's musical aesthetic on the publishing activities of Theodore Presser Company during his tenure as editor. Rochberg's role transformed Theodore Presser into a leading publisher of serious music in America. The study begins with a historical overview of Theodore Presser Company and the landscape of music publishing in the early 20th century. It then examines the historiography of Rochberg, noting that his serial era (during the 1950s) is often overlooked by scholars.

Central to the analysis are Rochberg's own writings on musical aesthetics, which illuminate his motivations and decision-making as editor. The study utilizes empirical data from Theodore Presser's copyright registrations, comparing the decade before Rochberg's arrival (1941-1950) with his editorial period (1951-1960), to demonstrate the tangible outcomes of his editorial philosophy.

Furthermore, this thesis investigates specific publications Rochberg championed at Theodore Presser, focusing on his text The Hexachord and its Relation to the 12-Tone Row and the English translation of the German publication Die Reihe. These publications reflected Rochberg's serial artistic convictions during his time at Theodore Presser Company.

By examining Rochberg's dual roles as composer and editor, this thesis underscores how his aesthetic principles left an indelible mark on Theodore Presser Company, significantly influencing its trajectory and contributions to American music publishing.

Download

Included in

Musicology Commons

Share

COinS