Submissions from 2016
Masques, Mayings and Music-Dramas: Vaughan Williams and the Early Twentieth-Century Stage by Roger Savage (review), Julian Onderdonk
Submissions from 2015
Lost Chords and Christian Soldiers: The Sacred Music of Sir Arthur Sullivan by Ian C. Bradley (review), Julian Onderdonk
The Music of Herbert Howells, edited by Phillip A. Cooke and David Maw (review), Julian Onderdonk
Submissions from 2014
"Silver Threads," performed by Mellissa Hughes, Jacob Cooper
"Hand - To - Mouth" From TOUCHING HEAVEN, Robert Maggio
"He Needs Me" From SHALL WE DANCE?, Robert Maggio
"Rain" From RAIN AND ASH (String Quartet No. 2), Robert Maggio
Hamilton Harty: Musical Polymath, by Jeremy Dibble (review), Julian Onderdonk
Music and Theology in Nineteenth-Century Britain, edited by Martin V. Clarke (review), Julian Onderdonk
Intabulation (ornamented recomposition) of Anonymous, En la maison Dedalus (14th c.) for plectrum lute and harp, Mark Rimple
Partita 622 (excerpt) for flute, violin, cello, viola da gamba and harpsichord, Mark Rimple
"Will you shrink from me?", To Golias for countertenor and electric guitar, Mark Rimple
Quick Blood, Adam B. Silverman
Sparklefrog, Adam B. Silverman
Afterland, version for one pianist and video projection, 13 March 2014, Van Stiefel
Premiere of Splitting for guitar and fixed media, Van Stiefel
Yellow Dog Blues, Van Stiefel
Submissions from 2013
In Search of Song: The Life and Times of Lucy Broadwood, by Dorothy de Val (review), Julian Onderdonk
Glad to be sad, and other examples of benign masochism, Paul Rozin, Lily Guillot, Katrina Fincher, Alexander Rozin, and Eli Tsukayama
Carbon Paper and Nitrogen Ink, Adam B. Silverman
Sturm for piano trio, Adam B. Silverman
Submissions from 2012
Island of Bones for electric guitar and laptop running ChucK, Van Stiefel
Submissions from 2011
"Clifton Gates," performed by Timothy Andres, Jacob Cooper
Gasoline Rainbow, Adam B. Silverman
Naked And On Fire, Adam B. Silverman
sHowl solo, Van Stiefel
Submissions from 2010
Tryptich I: "Commencer Une Autre Mort", Jacob Cooper
Studies in English Church Music, 1550-1900. (Variorum Collected Studies Series, CS926) by Nicholas Temperley (review), Julian Onderdonk
TEDxPhoenixville with the WCU Laptop Arts Ensemble, Van Stiefel
Submissions from 2009
Letters of Ralph Vaughan Williams 1895-1958, edited by Hugh Cobbe (review), Julian Onderdonk
Submissions from 2008
Vaughan Williams on Music by David Manning (review), Julian Onderdonk
Tributes to Leonard B. Meyer: He Was the Very Model of a Modern Musicologist, Alexander Rozin
Submissions from 2004
The Cambridge Companion to Debussy, by Simon Trezise (review), Julian Onderdonk
The Feeling of Music Past: How Listeners Remember Musical Affect, Alexander Rozin, Paul Rozin, and Emily Goldberg
Submissions from 2003
Charles Villiers Stanford, by Paul Rodmell (review), Julian Onderdonk
Elgar's Oratorios: The Creation of an Epic Narrative, by Charles Edward McGuire (review), Julian Onderdonk
Submissions from 2002
Vaughan Williams's Ninth Symphony, by Alain Frogley; Vaughan Williams, by Simon Heffer (review), Julian Onderdonk
Submissions from 1998
Tonal and Motivic Process in Mozart's Expositions, Scott Leslie Balthazar
Submissions from 1995
Rutland Boughton and the Glastonbury Festivals, by Michael Hurd (review), Julian Onderdonk
The English Musical Renaissance, 1860-1940: Construction and Deconstruction, by Robert Stradling and Meirion Hughes (review), Julian Onderdonk
Submissions from 1994
The Music of Edmund Rubbra, by Ralph Scott Grover (review), Julian Onderdonk
Submissions from 1993
Farewell, My Youth and Other Writings by Arnold Bax, edited by Lewis Foreman (review), Julian Onderdonk
Submissions from 1992
Charles Ives: A Bio-Bibliography by Geoffrey Block (review), Thomas D. Winters
Submissions from 1988
Rossini and the Development of the Mid-Century Lyric Form, Scott Leslie Balthazar