Document Type
Article
Publication Date
9-2021
Abstract
Based on the plot of Swan Lake, Black Swan depicts an ingenue's metamorphosis into a woman and a prima ballerina that contains a fairy-tale plot in which a naive heroine overcomes enemies and obstacles in order to achieve success and sexual maturity. Unlike a traditional fairy tale, this cinematic tale concludes with death and the clear distinctions between good and evil, helper and adversary and reality vs. fantasy are fluid. As in many fairy tales, the film criticizes the values of its era, namely, the narcissistic aspects of contemporary society with its excessive worship of youth, beauty and celebrity, and its most pernicious results-escape into fantasy and insanity, aggressive rivalry, violence, and self-destruction.
Publication Title
Humanities - Basel
ISSN
2076-0787
Publisher
MDPI
Volume
10
Issue
3
First Page
1
Last Page
18
DOI
10.3390/h10030086
Recommended Citation
Landwehr, M. J. (2021). Aronofsky’s Black Swan as a Postmodern Fairy Tale: Mirroring a Narcissistic Society. Humanities - Basel, 10(3), 1-18. http://dx.doi.org/10.3390/h10030086