Date of Graduation

Spring 2026

Document Type

Dissertation

Degree Name

Doctor of Education (EdD)

Department

Education Policy, Planning, and Administration

Committee Chairperson

Matthew Kruger-Ross, Ph.D.

Committee Member

Aubree Pacifico-Windish, Ed.D.

Committee Member

Jonathan Fowler, D.M.A.

Abstract

Jazz improvisation is a historically rich and culturally relevant art form that is also an underutilized pedagogy in higher education music performance programs (HEMPPs). Previous research has extensively unmasked the relationship of creative, social, and cognitive benefits of improvisational learning. Yet, postsecondary institutions continually rely upon Western European colonialist practices through the isolation of music history, music theorypiano, and compositioncourses. This disconnect results in curricular designs that fail to recognize the importance of experiential learning. In this qualitative inquiry semi-structured interviews were conducted with ten participants who perform and educate globally. Participant stories unearthed not only the current state of improvisational performance programs in higher education, but also a path forward by highlighting the need for a lived curriculum that deeply integrates experiential learning practices. Eight major themes emerged from the interviews: professor function, curricular design, music theory practices, music history, piano performance, integrative practices, focused and dedicated listening practices, and experiential learning opportunities. Participants unanimously argued that current jazz performance curriculum should advance by utilizing integrative practices and experiential learning opportunities in lieu of curricular reform entirely. The proposed integrative practices expand on experiential learning opportunities through reimagined course offerings of music theorymusic history, and a newly developed course, Jam Session: A Lived Experience, modeled to bring an authentic performance experience into the classroom.

Final Version Confirmation

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