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Submissions from 2017

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Digital Ekphrasis and the Uncanny: Toward a Poetics of Augmented Reality, Robert P. Fletcher

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Trump’s Inauguration: What Could Critical Theory Learn?, Graham MacPhee

Submissions from 2016

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The Indianapolis Resolution: Responding to Twenty-First-Century Exigencies/Political Economies of Composition Labor, Anicca Cox, Timothy R. Dougherty, Seth Kahn, Michelle LaFrance, and Amy Lynch-Biniek

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Banal Time: War After Grand Narrative, Graham MacPhee

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“What the World Looks Like”: On Banality and Spectacle, Graham MacPhee and Angela Naimou

Submissions from 2015

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Will You Go Out with Me? Why First Loves Are Painfully Important to YA Lit, Emilee Hussack and Pauline Skowron Schmidt

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Josephine Lawrence: A Writer of Her Time, Deidre A. Johnson

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Arendt After Jerusalem, Graham MacPhee

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Reading Aloud: Poetry at Its Finest, Pauline Skowron Schmidt

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Editorial: A Horse Is a Horse, of Course?, Jeff Sommers

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Editorial: New Voices and . . . Familiar Voices, Jeff Sommers

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Editorial: The Complexities of “College Success”, Jeff Sommers

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A Swath of Poppies, Spring Ulmer

Submissions from 2014

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We’re Not Kidding: Nonfiction Texts to Use across the Curriculum, Emilee Hussack and Pauline Skowron Schmidt

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Where Is the Girl Power? The Search for Authentic Portrayals of Female Athletes in YA Lit, Emilee Hussack and Pauline Skowron Schmidt

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What Becomes of the Subject?, Graham MacPhee

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Three Stories: "Permission," "Consolation," and "Presentation", Christopher Merkner

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Tough Talk: Books about Bullying, Pauline Skowron Schmidt, Jennifer Stuntz, and Emilee Hussack

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Editorial: A Middle Ground, Jeff Sommers

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Editorial: Understanding Backwards, Looking Forwards, Jeff Sommers

Submissions from 2013

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Anticipating the Neoliberal Nation: Philip Larkin and the Displacement of Englishness, Graham MacPhee

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Careful what you wish for: thinking through the neoliberal nation, Graham MacPhee

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Editorial Remarks: Recognizing Critique, Graham MacPhee

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Logics of Disintegration: Contemporary Cultural Theory and the Riots in Britain, Graham MacPhee

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Editorial: Acronyms Repurposed, Jeff Sommers

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Editorial: The Challenge That Won’t Go Away, Jeff Sommers

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Editorial: The Long View, Jeff Sommers

Submissions from 2012

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Secret British Colonial Archive Finally Released: Britain’s Orwellian Empire Revealed, Graham MacPhee

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Editorial: On Genuine Dialogue, Jeff Sommers

Submissions from 2011

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Benjamin, Joyce, and the Disappearance of the Dead, Graham MacPhee

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Escape from Responsibility: Ideology and Storytelling in Arendt’s The Origins of Totalitarianism and Ishiguro’s The Remains of the Day, Graham MacPhee

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Introduction: Culture and Political Community (special issue "Arendt, Politics, and Culture"), Graham MacPhee

Submissions from 2010

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The Hacker and the Hawker: Networked Identity in the Science Fiction and Blogging of Cory Doctorow, Robert P. Fletcher

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"Writing 6 days out of 7": The Publishing History of Mrs. E. Burke Collins, Deidre A. Johnson

Submissions from 2009

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Mystery within Mystery: E. Burke Collins and "Dare the Detective", Deidre A. Johnson

Submissions from 2008

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Of Puppets, Automatons, and Avatars: Automating the Reader-Player in Electronic Literature and Computer Games, Robert P. Fletcher

Submissions from 2007

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Joyous Peggy and Amazing Lillian: The Life and Works of Lillian Grace Copp, Deidre A. Johnson

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Under English Eyes: The Disappearance of Irishness in Conrad's The Secret Agent, Graham MacPhee

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Reading "The Gunfighter" as Homeric Epic, Kostas Myrsiades

Submissions from 2006

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From Reproduction to Reproducibility: Creativity and Technics in Benjamin and Arendt, Graham MacPhee

Submissions from 2004

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Transitions: From Nell Cody to Nancy Drew, from Bungalow Outline to Book, Deidre A. Johnson

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Glass Before its Time, Premature Iron: the Unforeseeable Futures of Technology in Benjamin's Arcades Project, Graham MacPhee

Submissions from 2003

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Technology, Time, and the Return of Abstract Painting, Graham MacPhee

Submissions from 2001

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Homer, 1715-1996 - Homer; Critical Assessments by Irene J. F. DeJong (review), Kostas Myrsiades

Submissions from 2000

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Beautiful Knowledge, or, Reproducing the University Again? Walter Benjamin and the Institution of Knowledge, Graham MacPhee

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Odysseus in the Poetry of George Seferis, Kostas Myrsiades

Submissions from 1998

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Remembering the Avant-garde: Vision and Time in the Poetry of Frank O'Hara, Graham MacPhee

Submissions from 1996

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Odysseus Elytis and the Thirties Generation in Modern Greek Poetry, Kostas Myrsiades

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Remembering an Oral Performer, Yiorgos Haridimos, Karagiozis Player, 1924-1996, Kostas Myrsiades

Submissions from 1995

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"Proving a thing even while you contradict it": Fictions, Beliefs, and Legitimation in The Memoirs of Barry Lyndon, Esq., Robert P. Fletcher

Submissions from 1991

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The Dandy and the Fogy: Thackeray and the Aesthetics/Ethics of the Literary Pragmatist, Robert P. Fletcher

Submissions from 1978

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Classical and Christian Myth in the Cinema of Pasolini, Kostas Myrsiades

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Yannis Ritsos and Greek Resistance Poetry, Kostas Myrsiades

Submissions from 1976

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A Bibliographical Guide to Teaching the Homeric Epics in College Courses, Kostas Myrsiades

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Odysseus Meets Tiresias (After Seferis), Kostas Myrsiades

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The Poetry of Takis Papatsonis: A Note on Ursa Minor, Kostas Myrsiades